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Lion, Witch, Wardrobe, and Gospel: Narnia as Christian Allegory
The Chronicles of Narnia, a seven-volume children’s saga by C.S. Lewis, reveals a world that exists parallel to our own, populated by men and women, dwarves and talking animals, giants and men, centaurs and animals, and ruled by a kind but incredibly cruel man. A giant lion named Aslan. Lewis, who died on the same day as JFK, November 22, 1963, combined his three life’s passions—classical mythology, medieval science, and Christian philosophy—to create in Narnia a microcosm of our own moral struggles. face of the world
characters and plot
Along with Aslan himself, the heroes of the Narnia books are the four Pevensie children, Peter, Susan, Edmund and Lucy. Taken from their London home to avoid the Nazi bombings, they board with an elderly bachelor professor in his rambling country estate.
While playing hide and seek, Lucy, the youngest at age 8, hides in an old closet full of shelves of coats. Stepping back to escape detection, she pushes her way past the coats, expecting to hit the back of the closet at any moment. Lucy feels instead in the branches of evergreen trees, hears the crunch of snow at her feet, and sees in the distance the glow of a lamppost just like the ones she has seen many times in London.
This marks the beginning of the four brothers’ many adventures in Narnia. Each of the books, although loosely connected to the others, can also stand on its own. In the end we learn where the lamp post came from and how the cupboard became the portal. We also learn more about Aslan, what it takes to be his friend and who his enemies are.
The deeper meaning
For those who know how to watch it, Lewis filled Narnia, not only with interesting characters, majestic scenery and exciting action, but also with Christian allegory. Aslan himself represents Jesus Messiah, “the lion of the tribe of Judah” (Revelation 7:14). The Pevensie children eventually make Narnia their home to such an extent that they see it as their homeland and this world as a place they visit. Lewis, in his books on Christian apologetics, describes the spiritual world as existing parallel to the physical one, having a quality of being, not shadowy and devoid of content compared to the physical, but more real, more colorful and much, much more alive.
As Paul explains,
…many live as enemies of the cross of Christ. Their destiny is destruction, their god is their stomach, and their glory is their shame. their opinion on worldly things. But our citizenship is in heaven. And we eagerly await the savior from there, the Lord Jesus Messiah… – Philippians 3:18-20 (see also Hebrews 11:13-16).
The Disney movie
The first of the seven books, The Lion the Witch and the Wardrobe, is now the subject of a major motion picture produced by Walt Disney Pictures & Walden Media and directed by Andrew Adamson. At the climax of the story is a beautiful sacrifice, pictures of Luis the death of Christ.
If you go to the movie, watch the breaking of the stone table, which symbolizes how the death and resurrection of Christ brought about the end of the Law of Moses by fulfilling its requirements for blood atonement. Also watch the role that Susan and Lucy play in the testimony of Aslan’s death and resurrection, in accordance with the historical role played by women as mourners in the death and burial of Jesus and the first witnesses to his resurrection.
The professor helps Peter and Susan sort out how to accept Lucy’s testimony about Narnia: if she’s not lying and she’s not crazy, then logically, she must be telling the truth. This is consistent with the testimony that Jesus gave about his own identification, and the testimony that followed about him—what Lewis describes elsewhere as the trilemma about Jesus: Is he a master, a liar, or a madman?
Another significant parallel is this: Aslan’s loyal followers play a significant role in the battle against the White Witch. Like our spiritual warfare, Messiah promises the final victory, but calls his followers to participate personally in the struggle. For the passages relevant to that conflict, see Ephesians 6:10-18; 2 Corinthians 10:3-5; 1 Timothy 18-20; 1 Timothy 6:12; and 2 Timothy 4:7).
The plans are for six more films to follow this first film, where the rest of Narnia’s history unfolds. If they are as faithful to the books, well designed and produced as this book is, all of us die-hard Lewis fans accept them as Narnia’s introduction to an old world. We hope viewers will catch and appreciate the allegorical features as much as they see the story on the surface. The goal is not only to know about Aslan and Narnia, but to become his friend and giver and live in his kingdom forever.
Want to go deeper?
You can search for articles that go into more detail about the allegory of Narnia, including these three: “The Lion, the Witch, and the Allegory,” “The Ark as a Christian Metaphor,” and “Myth Made Truth: The Origins of the Narnia Stories.”
If you want to purchase and read your own copy of The Chronicles of Narnia, they are available in a variety of editions, from the one-volume paperback edition to a seven-volume hardcover or paperback set. is also available Official partner for an illustrated film To The Lion the Witch and the WardrobeFeaturing photos from the film and interviews with the director and cast members, as well as EJ Kirk Beyond the Wardrobe: The Official Guide to Narnia. (My blog provides links to all of these, allowing you to access significant discounts, from 24% to 33% off retail prices.)
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