A Movie About Nazi That Wants Out But Will.He Make.It "The Reader" – A Film Reflection

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"The Reader" – A Film Reflection

I have been haunted by my memories of The Reader since I last watched it. There’s a very good reason Kate Winslet walked away with the 2009 Academy Award for her role as Hanna Schmitz, a woman who keeps a secret Nazi past while having a summer romance with a fifteen-year-old boy. Winslet is fascinating in this role. While on the surface Schmitz’s actions can be condemned, there are too many layers to this emotional human drama to make it purely black and white.

David Cross plays the young man with almost equal agility as Winslet; His character, Michael Berg, never really gets a chance to peel back those layers. Flashbacks with the incomparable Ralph Fiennes as the grown-up Michael show him struggling throughout his life with how his summer experience defined him, with no clear resolution, as Hannah simply disappears at the end of the summer.

Water plays a big role in this film. It’s stormy on the first day the boy meets the woman, cowering, cowering from an impending bout of scarlet fever, in the alcove of her building. She comes to his aid, washing his vomit off the ground with a bucket of water. A few weeks later, when his illness has passed, he brings her a bouquet to thank her for her help. She tells him to bring her coal in the cellar; When he returns, covered in coal dust, she gives him a bath. Their romance was now inextricably activated.

He is a bright young man who gains confidence from his enthusiasm with the woman. He is not thought of as “under-age”, but during a two-day bike trip in which he convinced her to join him, when the two order lunch. In the open daylight, it seems to their waitress that they are mother and son. When she comments while he’s paying that “I hope your mother enjoyed her meal,” he says “Yes, very much” (out of Hannah’s earshot). Then he walks up to Hannah and kisses her on the lips.

Maybe Hanna would have dumped Michael after their first sexual encounter, but once he starts calling her, she’s hooked. He has no idea that she can’t read, or much more about her for that matter. When he begins to study law, years after the summer episode, when he is sitting in court, he discovers the truth about Hannah.

Where the typical actor would require 20 minutes of solitary speech, Winslet and Fiennes can each describe thoughts and feelings with a gesture or facial expression. Also, the makeup people in this film are to be commended for aging them impeccably, as the story begins in 1958 and ends in 1995. A fascinating glimpse into the psyche of two people in post-war Germany, which makes “Summer of ’42” look dumb by comparison.

Fiennes, Winslet and Cross work wonderfully together.

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